David Hardy paintings

David Hardy paintings
Dirck Bouts paintings
Dante Gabriel Rossetti paintings
Daniel Ridgway Knight paintings
Let the reader imagine a huge oblong mass of masonry fifteen feet high, thirty feet wide, and forty feet long, on a plaster base, with a door, an external railing, and a platform; on this platform sixteen enormous pillars of rough hewn stone, thirty feet high, ranged as a colonnade round three of the four sides of the immense block supporting them, and connected at the top by heavy beams, from which hung chains at regular intervals; at each of these chains, skeletons; close by, in the plain, a stone cross and two secondary gibbets, rising like shoots of the great central tree; in the sky, hovering over the whole, a perpetual crowd of carrion crows. There you have Montfaucon.
By the end of the fifteenth century, this formidable gibbet, which had stood since 1328, had fallen upon evil days. The beams were worm-eaten, the chains corroded with rust, the pillars green with mould, the blocks of hewn stone gaped away from one another, and grass was growing on the platform on which no human foot ever trod now. The structure showed a ghastly silhouette against the sky—especially at night, when the