Friday, June 6, 2008

Rembrandt The Return of the Prodigal Son painting

Rembrandt The Return of the Prodigal Son painting
Watts Love And Life painting
hassam The Sonata painting
Pino Soft Light painting
The reader may perhaps remember that a portion of the Court of Miracles was enclosed by the ancient wall of the city, a good many towers of which were beginning at that time to fall into decay. One of these towers had been converted by the truands into a place of entertainment, with a tavern in the basement, and the rest in the upper storeys. This tower was the most animated, and consequently the most hideous, spot in the whole Vagabond quarter—a monstrous hive, buzzing day and night. At night, when the rest of the rabble were asleep—when not a lighted window was to be seen in the squalid fronts of the houses round the Place, when all sound had ceased in the innumerable tenements with their swarms of thieves, loose women, stolen or bastard children— the joyous tower could always be distinguished by the uproar that issued from it, and by the crimson glow of light streaming out from the loopholes, the windows, the fissures in the gaping walls, escaping, as it were, from every pore.

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