Sunday, August 31, 2008

John William Waterhouse Echo and Narcissus painting

John William Waterhouse Echo and Narcissus paintingJohn William Waterhouse The Lady of Shalott paintingLeonardo da Vinci The Last Supper painting
matters of our twinship and paternity while I listened from the doorway, and gently then introduce the facts of our acquaintance and my presence in the proper. If Miss Hector found the news too distressing, I could present myself another time; if not, Anastasia would summon and introduce me. I stationed myself outside the door, and Anastasia knocked.
"Come in, please? Oh, it's you, dear."
I closed my eyes; her voice had still the querulous resolve in it that had fetched me in kiddish fury once at the fence, and soothed my adolescent stormings in the hemlock. Anastasia greeted her with a cheeriness perhaps exaggerated by the situation, declaring that she had a few daughterly matters to discuss, and that it had anyhow been too long since they'd last chatted.
"Oh. Well. Yes. Well. All this commotion lately. . ." Lady Creamhair clucked and fussed, not incordially, but as if permanently rattled. She seemed indeed in less possession of her faculties than formerly, and with rue I wondered how much hurt my ignorant assault might have done her. The two women exchanged commonplaces

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