Tuesday, October 7, 2008

Rembrandt History Painting painting

Rembrandt History Painting paintingJean Auguste Dominique Ingres Perseus and Andromeda paintingGuido Reni Baptism of Christ painting
them; you simply couldn’t. And you couldn’t feel more about them than that amount of liking made possible to you. There was a special kind of basic weakness about him; that was what she could not like, or respect, or even forgive, or resign herself to accepting, for it was a kind of weakness which took advantage, and heaped disadvantage and burden on others, and it was not even ashamed for itself, not even aware. And worse, at the bottom of it all, maybe, Jay’s father was the one barrier between them, the one stubborn, unresolved, avoided thing, in their complete mutual understanding of Jay’s people, his “background.” Even now she could not really like him much, or feel deep concern. Her thoughts for him were grave and sad, but only as they would be for any old, tired, suffering human being who had lived long and whose end, it appeared, had come. And even while she thought of him her real mind was on his son’s and her inadequacy to it. She had not even until this moment, she realized with dismay, given Jay’s mother a thought; she had been absorbed wholly in Jay. I must write her, she thought. But of course, perhaps, I’ll see her soon

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