Paul Cezanne Still Life with Flowers and FruitPaul Cezanne Still Life with Apples and OrangesPaul Cezanne Still Life with a SkullPaul Cezanne Jas de Bouffan the Pool
political and social elites a profoundly dehumanizing view of those who live and work within the country's slums. The troubling policy implications of this perspective are unmistakeably mirrored by the film. Since there are Jamal, stoically await their own “destiny” of rescue by a foreign hand?
Indeed, while this self-billed "feel good movie of the year" may help us "feel good" that we are among the lucky ones on earth, it delivers a patronizing, colonial and ultimately sham statement on social justice for those who are not.
A version of this article appeared in the Toronto Star.no internal resources, and none capable of constructive voice or action, all "solutions" must arrive externally.After a harrowing an anarchic wilderness, salvation finally comes to Jamal, a Christ-like figure, in the form of an imported quiz-show, which he succeeds in thanks to sheer, dumb luck, or rather, because “it is written.” Is it also "written," then, that the other children depicted in the film must continue to suffer? Or must they, like the stone-faced
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