Thomas Kinkade Evening Glow painting

Thomas Kinkade Evening Glow paintingThomas Kinkade CHRISTMAS MEMORIES painting
work. Them earlier days I used a quit the jobs. You got a wife with money, a good job. You forget how it is bein broke all the time. You ever hear a child support? I been payin out for years and got more to go. Let me tell you, I can’t quit this one. And I can’t get the time off. It was tough gettin this time—some a them late heifers is still calvin. You don’t leave then. You don’t. Stoutamire is a hell-raiser and he raised hell about me takin the week. I don’t blame him. He probly ain’t got a night’s sleep since I left. The tradeoff was August. You got a better idea?”
“I did once.” The tone was bitter and accusatory. Ennis said nothing, straightened up slowly, rubbed at his forehead; a horse stamped inside the trailer. He walked to his truck, put his hand on the trailer, said something that only the horses could hear, turned and walked back at a deliberate pace.
“You been a Mexico, Jack?” Mexico was the place. He’d heard. He was cutting fence now, trespassing in the shoot-em zone. “Hell yes, I been. Where’s the f*ckin problem?” Braced for it all these years and here it came, late and unexpected. “I got a say this to you one time, Jack, and I ain’t foolin. What I don’t know,” said Ennis, “all them things I don’t know could get you killed if I should come to know them.”